Epic Poetry & Myth Codexery

Roman de la Rose

Medieval allegorical poem on the art of romantic love.

Roman de la Rose

Wikipedia / Wikimedia Commons

Le Roman de la Rose (The Romance of the Rose) is a medieval allegorical dream-vision poem written in Old French, notable as a work of courtly literature that purports to disclose the whole art of romantic love. Composed in two stages by two authors, it uses the Rose as both the name of the titular lady and an abstract symbol of female sexuality, with other characters functioning as personal names and metonyms for factors in a love affair.

type
Medieval poem
language
Old French
first author
Guillaume de Lorris
second author
Jean de Meun (or Jehan Clopinel)
first part composed
circa 1230
second part composed
circa 1275
total verses
21,782 (4,058 by Guillaume; 17,724 by Jean)
known for
Allegorical dream vision; 'mirror of love'; encyclopedic character; influence on European literature

Lore & Background

The Romance of the Rose was written in two stages. Guillaume de Lorris composed the first 4,058 verses circa 1230, describing a courtier's attempts at wooing his beloved in a walled garden, a locus amoenus. Forty-five years later, circa 1275, Jean de Meun added 17,724 lines, expanding the allegorical personages—such as Reason and Friend—and adding new ones like Nature and Genius, who discuss the philosophy of love in encyclopedic breadth.

Reader's Guide

The Romance of the Rose was both popular and controversial. One of the most widely read works in France through the Renaissance, it was possibly the most read book in Europe in the 14th and 15th centuries. Its sensual language and alleged misogyny provoked attacks by Jean Gerson, Christine de Pizan, Pierre d'Ailly, and others. Later scholars noted its encyclopedic quality: Gaston Paris called it 'an encyclopedia in disorder,' C. S. Lewis described its 'encyclopedic character,' and Mikhail Bakhtin said it was 'encyclopedic (and synthetic) in its content.' About 300 manuscript copies survive, one of the highest figures for a secular work, with many illustrated. The poem influenced English literature through the Middle English translation The Romaunt of the Rose, portions thought to be by Chaucer, and the character 'La Vieille' may have inspired Chaucer's Wife of Bath. C. S. Lewis's 1936 study The Allegory of Love renewed interest in the poem.

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